2008年6月5日星期四

Monet The Red Boats, Argenteuil painting

Monet The Red Boats, Argenteuil painting
Waterhouse The Lady of Shalott painting
Leighton Leighton Flaming June painting
Bierstadt Autumn in America Oneida County New York painting
follow a pretty woman without knowing where she is going. There is in this voluntary abdication of one’s free-will, in this subordination of one’s whim to that of another person who is totally unconscious of one’s proceedings, a mixture of fanciful independence and blind obedience, an indefinable something between slavery and freedom which appealed to Gringoire, whose mind was essentially mixed, vacillating, and complex, touching in turn all extremes, hanging continually suspended between all human propensities, and letting one neutralize the other. He was fond of comparing himself to Mahomet’s coffin, attracted equally by two loadstones, and hesitating eternally between heaven and earth, between the roof and the pavement, between the fall and the ascension, between the zenith and the nadir.
Had Gringoire lived in our day, how admirably he would have preserved the golden mean between the classical and the romantic. But he was not primitive enough to live three hundred years, a fact much to be deplored; his absence creates a void only too keenly felt in these days.

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