Monet The Red Boats, Argenteuil painting
Waterhouse The Lady of Shalott painting
Leighton Leighton Flaming June painting
Bouguereau The Virgin with Angels painting
LAUNCELOT
That is done too, sir; only 'cover' is the word.
LORENZO
Will you cover then, sir?
LAUNCELOT
Not so, sir, neither; I know my duty.
LORENZO
Yet more quarrelling with occasion! Wilt thou showthe whole wealth of thy wit in an instant? I praytree, understand a plain man in his plain meaning:go to thy fellows; bid them cover the table, servein the meat, and we will come in to dinner.
LAUNCELOT
For the table, sir, it shall be served in; for themeat, sir, it shall be covered; for your coming into dinner, sir, why, let it be as humours andconceits shall govern.
[Exit]
LORENZO
O dear discretion, how his words are suited!The fool hath planted in his memoryAn army of good words; and I do knowA many fools, that stand in better place,Garnish'd like him, that for a tricksy wordDefy the matter. How cheerest thou, Jessica?And now, good sweet, say thy opinion,How dost thou like the Lord Bassanio's wife?
2008年6月9日星期一
2008年6月5日星期四
Monet The Red Boats, Argenteuil painting
Monet The Red Boats, Argenteuil painting
Waterhouse The Lady of Shalott painting
Leighton Leighton Flaming June painting
Bierstadt Autumn in America Oneida County New York painting
follow a pretty woman without knowing where she is going. There is in this voluntary abdication of one’s free-will, in this subordination of one’s whim to that of another person who is totally unconscious of one’s proceedings, a mixture of fanciful independence and blind obedience, an indefinable something between slavery and freedom which appealed to Gringoire, whose mind was essentially mixed, vacillating, and complex, touching in turn all extremes, hanging continually suspended between all human propensities, and letting one neutralize the other. He was fond of comparing himself to Mahomet’s coffin, attracted equally by two loadstones, and hesitating eternally between heaven and earth, between the roof and the pavement, between the fall and the ascension, between the zenith and the nadir.
Had Gringoire lived in our day, how admirably he would have preserved the golden mean between the classical and the romantic. But he was not primitive enough to live three hundred years, a fact much to be deplored; his absence creates a void only too keenly felt in these days.
Waterhouse The Lady of Shalott painting
Leighton Leighton Flaming June painting
Bierstadt Autumn in America Oneida County New York painting
follow a pretty woman without knowing where she is going. There is in this voluntary abdication of one’s free-will, in this subordination of one’s whim to that of another person who is totally unconscious of one’s proceedings, a mixture of fanciful independence and blind obedience, an indefinable something between slavery and freedom which appealed to Gringoire, whose mind was essentially mixed, vacillating, and complex, touching in turn all extremes, hanging continually suspended between all human propensities, and letting one neutralize the other. He was fond of comparing himself to Mahomet’s coffin, attracted equally by two loadstones, and hesitating eternally between heaven and earth, between the roof and the pavement, between the fall and the ascension, between the zenith and the nadir.
Had Gringoire lived in our day, how admirably he would have preserved the golden mean between the classical and the romantic. But he was not primitive enough to live three hundred years, a fact much to be deplored; his absence creates a void only too keenly felt in these days.
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