2008年9月17日星期三

Jean Francois Millet The Gleaners painting

Jean Francois Millet The Gleaners paintingJacques-Louis David Napoleon crossing the Alps paintingJoaquin Sorolla y Bastida Children on the Beach painting
heads that lolled over steaming porridge; marionette waiters had pirouetted about him with uncouth gestures. All round him a macabre dance of shadows had reeled and flickered, and in and out of it Adam had picked his way, conscious only of one insistent need, percolating through to him fromlength it appeared as a concrete thing, external but intimately attached to himself. Like the pursuit of quicksilver with a spoon, Adam was able to chase it about the walls of his consciousness until at length he drove it into a corner in which he could examine it at his leisure. Still lying perfectly still, just as he had fallen, with his limbs half embracing the wooden legs of the chair, Adam was able, by conscentrating his attention upon each part of his body in turn the world outside, of immediate escape from the scene upon which the bodiless harlequinade was played, into a third dimension beyond it.
And at length, as he walked by the river, the shapes of the design began to advance and recede, and the pattern about him

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Jean Francois Millet The Gleaners painting