Rembrandt Susanna and the Elders painting

Rembrandt Susanna and the Elders paintingRembrandt History Painting paintingJean Auguste Dominique Ingres Perseus and Andromeda painting
the things I want to be Shafted for." He went on to say, as sadly and serenely as ever, that whereas he once had believed in the rejection of Grand Tutors whether "true" or "false," it now appeared to him to make little difference how questionable might be the authenticity of Bray, for example: the important thing was to see one's own abysmal flunkèdness. Since conversing with Harold Bray he had come to see clearly that nothing in his had been done altogether passèdly: hating hatred, from which passion no man was free, he had perforce hated all studentdom, thinking he loved them. Thus his work with WESCAC and the consequent Amaterasuphage --
"Self-defense!" I broke in. "That was collegiate self-defense!"
But the self must not be defended by the suffering of others' selves, Max responded. And his foster-fathering of me, so apparently praiseworthy: was it not to revenge himself on Virginia R. Hector -- nay, on studentdom in general -- that he had raised me as a goat? And to revenge himself on New Tammany that he had at the last encouraged my delusion of Grand Tutorhood? Bray having confirmed for him these flunkèd