2008年8月24日星期日

Albert Moore silver painting

Albert Moore silver paintingRene Magritte The Blank Check paintingSir Lawrence Alma-Tadema In the Tepidarium painting
shatter, and was scrabbled for at once by the deserter -- luckily for me, who had not seen him raging towards me with a ballpeen hammer! And thus was worked the rescue of us all: the teammates he'd abandoned, seeing bad faith slaked while good went thirsting, broke muddled ranks to have at him, just when Stoker with boot-tip and tongue had got the lesser gang aligned and bade them heave. Heave they did, all unopposed, and tumbled arselong when the bar came about. Even as they rolled and cursed, the whistling petered; the pointer trembled at disaster's very threshold, lingered a moment still, then subsided with the rumbling underneath. Mine however was the only shout of joy: fights and tickling-matches had broken out among the workers, all of whom strove for the flask, and Stoker had set out merrily down the catwalk after a chocky lass who'd goosed him with her oilcan-spout at the moment of crisis. When I overtook them he'd already had his revenge, having cornered her against a switchboard, wrested the can from her, and under cover of a stolen kiss, squirted a jet down the open bosom of her shirt. It was a lubricant black as oil but evidently less bland, for it set the girl into a hopping frenzy. She bounded from him in

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